VIMBERG, “pure music”
The philosophy for VIMBERG is actually very easy: take the best parts, add the best possible engineering and manufacturing from one of the most established highend companies of the last two decades and create something special. Full details coming very very soon.

For extraordinary results, TIDAL used drivers with ultra-stiff and very light diaphragms made out of diamond, ceramic and 3D-shaped honeycomb sandwich material from the specialist Accuton. Those parts were installed into literally low-noise, in-house manufactured cabinets that were constructed using heavy duty waterproof quality materials then finished with resonance damping VIMBERG – piano lacquer. At the heart of it they use only Mundorf and Duelund crossover parts – combined with their unique engineering and crossover designs, to create ultra-linear frequency responses, incredible timing and the complete lack of the driver’s diaphragm signature.

 Model Velvetec (black or white) Velvetec (colours range)Piano Gloss Black or White
 AMEA £13,800 £14,300 POA
 MINO £29,800 £30,300 £31,800
 TONDA POA POA £37,800


Diamond Tweeter option on all models, +£8500
Copper/Brass faceplate option, £400
Ameas stands (black, 0ther colours POA), £2900

Common features in the VIMBERG Speaker

  • 3-way fullrange loudspeaker
  • VIMBERG MRD-cabinet with decoupled aluminum high-midrange mounting plate
  • 1 x 30 mm Accuton Cell ceramic tweeter
  • optional: 30mm Accuton Cell diamond tweeter, also upgradeable anytime later (Tonda D ; Mino D)
  • highend Mogami speaker cable wiring inside, Argento pure silver binding posts
  • VIMBERG highend crossover: linear frequency response with optimized impulse response, exclusive use of Mundorf & Duelund components.
  • Dual-Tune bass-reflex port design for lowest port noise and selectable F3
  • Decoupling height adjustable isolation gliders and 3D-shaped installation triggers for optimized setup and placement to every floor
  • Exclusive VIMBERG real piano lacquer: summit white or jet black

Specific to the VIMBERG Tonda

  • 1 x 168 mm Accuton Cell ceramic midrange woofer,
    3 x 190 mm Accuton Cell woofer, long excursion design with 3D shaped honeycomb sandwich diaphragm
  • Height: 1432mm H x 650mm D x 439mm W (56.4″ H x 25.6″ D x 17.3″ W)
  • Weight: 2 x 96 Kg / 212 lbs. (plus packaging)

Specific to the VIMBERG Mino

  • 1 x 90 mm Accuton Cell ceramic midrange woofer,
    3 x 168 mm Accuton Cell woofer, long excursion design with 3D shaped honeycomb sandwich diaphragm
  • Height: 1270mm H x 534mm D x 424mm W / (50″ H x 21″ D x 16.7″ W)
  • Weight: 2 x 96 Kg / 212 lbs. (plus packaging)

Specific to the VIMBERG Amea

  • 2-way fullrange loudspeaker
  • VIMBERG™ MRD-cabinet with decoupled aluminum high-midrange mounting plate
  • 1 x 30 mm Accuton™ Cell ceramic tweeter
  • 1 x 173 mm Accuton™ ceramic midrange woofer
  • 1 x 220 mm Accuton™ passive radiator
  • optional: 30mm Accuton™ Cell diamond tweeter (Amea D), also upgradeable anytime later
  • highend Mogami™ speaker cable wiring inside, Argento™ pure silver binding posts
  • highend crossover with VIMBERG™ monopulse technology: linear frequency response with optimized impulse response
  • exclusive use of Mundorf™ & Duelund™ components
  • exclusive VIMBERG™ real piano lacquer: summit white or jet black
  • exclusive VIMBERG™ VELVETEC: Summit White, Jet Black, Slate Grey, Sonoma Orange, Amethyst and other colors on request
  • nominal impedance: 5 ohm (lowest point: 5.2 ohm at 100Hz)
  • efficiency at 2.83V/1m/1KHz: 86dB
  • weight without packagaing: 2 x 20 Kg (2 x 44 lbs.)
  • weight with packagaing: 1 x 45 Kg (1 x 99 lbs.)
  • shipment dimensions: W 51 x L 71 cm x H 62 cm

Stereophile official Review & front cover

In my room and with my ancillary gear, it produced a full-range, neutrally balanced, transparent sound that rivaled what I remember experiencing with the seven-times-the-price Tidal Akira.

[John Atkinson – click here for article ]


Upgrade His Wilson Alexias to Vimberg Tondas?

Do I think the Vimberg Tonda would be a proper upgrade path for you? I do, actually. I’ve heard the Alexia a number of times at shows and it has some strengths, dynamics being one. Neutrality is not, however, a strength that I would attribute to the Alexia. From what I’ve heard, as well as from what I’ve seen from measurements of the Vimbergs (and Jorn Janczak-designed speakers in general), these are exceptionally neutral loudspeakers. My educated guess would be that you would experience a more neutral sound than you have now, but also one that is higher in resolution.

[Jeff Fritz – full article click here]

Jeff Buys Loudspeakers: The Vimberg Tondas

My eventual winner revealed itself at High End 2018: Last May, when I heard the Tonda loudspeakers ($35,000/pair) from Vimberg, a subsidiary of the German company Tidal Audio, at the Munich Order Center, I was enamored on the spot — more than enamored. From a sound-quality perspective, it solidly ticked every box: First, it had that open, spacious quality that I love to hear these days — the antithesis of dark and closed-in — but it also had the bell-like clarity that is the hallmark of Tidal speakers, which I’ve always been drawn to. The bass was really deep and taut, courtesy three 8” woofers per side. Add to those qualities another that I saw as an unexpected bonus for a reviewer: the Tondas could play loud and super clean. Could I really attain this level of performance while staying within my $40k speaker budget?

[Jeff Fritz – full article click here]

Audio-Head, Rocky Mountain Audio Festival 2018

“Let’s say Bugatti decided that it wanted to build a car that sold for $29,000 USD, and this car would also look, smell, feel, and drive like a $215,000 USD Bugatti. Albeit some minor engineering and production compromises would have to be made, but overall — the experience and emotions it would produce would be almost identical. That is what TIDAL Audio founder Jörn Janczak has just done with the development of his new VIMBERG company. “

[Eirc Shook – please click here to see full article]

“…This is a mighty impressive debut that underlines designer Jörn Janczak’s confidence in the project. I saw several people visibly shocked when told the price. One thought that it was the cost of a single speaker, not the pair. That tells you a lot about both the Tonda’s performance and the quality of the Tidal electronics driving it. But either way, it’s an awful lot of performance for the money.
Given their heritage and design DNA, the Vimberg speakers could just be shaping up as one of audio’s all-time biggest bargains. Just the insight they offer into the musical benefits of both Tidal’s exacting approach to parts and production makes them a fascinating prospect. If, as Jörn Janczak says, “care is free,” we are about to find out just how much it’s worth.”

[Roy Gregory – please click here, to see the full article]

“…Tidal has created its own subsidiary company named Vimberg—whose purpose is to distinguish itself from its parent company by name—while still associating itself with the extreme artisanal manufacturing of its parent company. Vimberg is making two new three-way floorstanding speakers named Mino and Tonda—the latter of which I auditioned right next to Tidal’s similar-looking (but much more expensive) Akira. I have experienced the 180,000 Euros/pair Akira several times and if memory serves me, this new Vimberg Tonda sounded damn near as refined and concise as its much more expensive stablemate. (Both speakers are constructed in the same factory.)
The new Vimberg Tonda lacks the Tidal Akira’s diamond tweeter and midrange drivers. It also lacks the Akira’s five rear-firing bass drivers. Less noticeably, it features a reduction in Tidal’s extreme attention to materials, finish, and craftsmanship. However, it is similar to the Akira in size and shape; it uses a similarly thick MDF enclosure, as well as Accuton drivers and Mundorf crossover parts. I called the Tonda,”Tee-dahl Light” and thought, Wow! This white beauty gives me 80–90% of the fancy speaker’s sonics at less than 20% of its cost. What is not to like?
Supporting the Tondas’ excellent, Tidal-like presentation were Tidal’s own Presencio preamplifier, Ferios amplifiers, Camira DMC, and last but not least, Tidal’s new cables.

[Herb Reichert – please click here, to see the full article]

“New at Munich is VIMBERG, springing from the minds, hands and creative work of Jörn Janczak of TIDAL. My understanding is that this line of loudspeakers will very much have “DNA” derived from the much more expensive TIDAL brand. Think Toyota vs Lexus, if Lexus was Rolls Royce (if that makes sense).
The new line is very much intended to be a more affordable entry to Janczak’s work (where ‘affordable’ is admittedly highly relative, of course). The parts are of the “typical” absurdly high-quality we’ve come to expect from Janczak, and the design still adheres to his obsessive level of attention to detail. That said, the drivers are all top-of-the-line Accuton, and if a customer wants to opt-in for the extreme performance of the Accuton diamond drivers, well, that is an option.”

[editorial staff – please click here, to see the full article]


Best New Product: VIMBERG.
“For the MINO and TONDA 3-way speakers, a new line that bridges the gap between ultra high end and affordable prices, with state of the art technology and gorgeous looks.

Stereo Magaine Review

“The overall sound, in connection with first-class electronics and cabling, is out of this world, possesses superior ease and is effortlessly natural rather than spectacular. I have never heard anything like this from a standmount speaker.”


Parttimeaudiophile Review

“This is a beautifully made and meticulously engineered loudspeaker that needs to be evaluated and classified by one important criterion: sound quality. Is the price of this speaker justified by the sound quality? Big time. Do you need a big massive tower with a 12” woofer array to experience full-range sound in your listening room? I don’t. I can’t imagine needing anything that these “2-way bookshelf monitors” can’t supply.”